As defiantly as I've been resisting the Twilight film and all of the lore surrounding author Stephanie Meyer's teenybop vampire franchise, I've been unable to shake the feeling that I'd one day give in and give the film a look. Initially, I feared that my general love for horror and bloodsuckers would leave me feeling incomplete without tasting the lowest-common-denominator. Then, suspicion turned to a much more "dating world" direction, and I began thinking that one of these date-nights the girl would suggest renting Twilight, and I'd be powerless by said girl's sexiness that I'd submit and watch Robert Pattinson's stone-cold screen presence.
Never did I think, though, that a filmmaker that I'm very fond of would attach himself to the franchise and that would be the reason I joined the Tiger Beat side. Yet, that's exactly what has happened, with the announcement today that director David Slade will be handling the third film in the series, The Twilight Saga: Eclipse. Supposedly, Eclipse is the darkest and meanest of the lot, and requires a filmmaker with more edge than most.
Erik Feig, Summit Entertainment's President of Production: "Stephenie Meyer's ECLIPSE is a muscular, rich, vivid book and we at Summit looked long and hard for a director who could do it justice. We believe we have found that talent in David Slade, a director who has been able to create complex, visually arresting worlds. We cannot wait to see the ECLIPSE he brings to life and brings to the fans eagerly awaiting its arrival in summer of 2010.”
Slade has proved his sinister sensibilities with the awesome twosome of Hard Candy (where Ellen Page's best performance can be seen....sorry, Juno) and 30 Days of Night (what a vampire film should be....sorry, Twilight), so on the surface this makes sense. But the vibe I've gotten from Slade via his interviews and taste in subject matter has never been in the same vicinity as Twilight, other than the obvious "vampire" thing. But the vamps in 30 Days of Night spoke broken English and conducted mass homicide with zero remorse; Twilight's loverboy vamps would be scared shitless of them. Odds are, dude was offered a truckload of money, and that, on top of the guaranteed box office mayhem that the film will inspire, screamed louder than any pride. Can't knock the guy's hustle, though.
David Slade
I wonder if Twilight fans realize just how impressive of a filmmaker they've got for this Eclipse installment. Probably not. They were nearly given Drew Barrymore for Eclipse, so they should be counting their lucky Edward Cullen (that's his name, right?) posters that Slade is the final choice. I won't even begin to discuss how different stylistically Slade is from Barrymore, and how Eclipse clearly doesn't have a distinct tone in mind if you consider this 180-degree shift in filmmaker. Juan Antonio Boyaga (director of the great Spanish ghost tale The Orphanage) was also rumored to be close to signing on to Eclipse, and that choice was a bit closer in tone to Slade.
Let's get one thing clear, though: I'm not saying that Slade is Scorcese or anything. He's just a talented, somewhat-new director who has already cranked out two films that I love, so anything he gets his hands on is worthy of my time. Yes, even if its a Twilight film. The way Hard Candy commands attention and dishes out suspense in bountiful amounts despite being limited to a simple one house setting is seriously impressive, and the utter bleakness and striking nighttime visuals of 30 Days of Night look better with each viewing. The guy has chops. Ironically, it was only a couple days ago that I was wondering just what Slade would tackle next. Who knew it'd be this, huh?
And to think, I was this close to avoiding this franchise altogether. Now I just need to find a lovely lady to watch Twilight with me. If you can't beat 'em, join 'em.
One thing that should be made clear: I'm not expecting anything in Eclipse to even approach the level of awesomeness seen in this 30 Days of Night highlight. This is Slade at his best:
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