Honestly, I'm hugely ashamed of myself. A couple weeks back, I compiled a few of my all-time favorite film scenes involving automobiles in light of that week's Fast & Furious opening. The problem I've been having with these lists I've been putting together is that my head works so quickly, so many streams of thought flowing side by side, that I tend to overlook films and scenes that wholly deserve inclusion.
And just now, while watching some late night cable, I came across one of my favorite films of the last decade, Children of Men. So brilliant, so sadly passed over by the Academy that awards season. Amongst several others, one aspect of the film that I continue to find so astonishing is Alfonso Cuaron's hyper-realistic direction. Don't even get me started on that seemingly-single-take climax, because I'll just ramble on and on about its unparalleled excellence. In the same vein of love, though, is my fondness for this scene, which (SPOILER ALERT) kicks the film's plot into overdrive. Its another one of Cuaron's masterful "single shot takes" earlier in the film, an unexpected siege on the main characters' car that escalates into a crescendo of horror and tragedy. Cuaron took an approach that had been used before and perfected it----sewing together a bunch of separate shots and making them seem as if its one continuous take.
**I remember when I interviewed Chiwetel Ejiofor (the driver of the car in the scene) for a KING story, I snuck in a question asking how exactly Cuaron pulled this scene off, to which he laughed and gave me one of those "I can't spoil the secret, now" responses that I simultaneously understand, respect, and selfishly loathe. Landing the man Chiwetel Ejiofor for a six-page feature story/shoot in KING will forever go down as my proudest accomplishment while working for the mag. Took months to secure, defied perceptions of the mag, and realized my hopes of giving the mag some Hollywood credibility. They can't take that one away from me. Ever.**
If you've yet to see Children of Men, please do so with the quickness. And think twice about watching this scene, 1) because the picture quality isn't the best, and 2) the film deserves to be seen in its entirety and total context. But for the short-of-will-power and fans of the film, here's the "car attack" scene that should've been at least second-slotted on my previous BW List: Favorite Car Scenes. It's something else:
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